The idea in the article is to construct bebop phrases over II-V-I
progressions from two pieces:
1. An Antecedent Phrase which spells out the change from II to V and
outlines the change from the 7 of the IIm7 chord to the 3rd of the V7
chord. In the key of C, this means moving from C to B, also known as the
guide tones.
2. A Consequent Phrase which outlines the change from the V7b9 to the
I, by moving from the 3rd of the V7 to its b9 and then resolving to the
5 or 3 of the I chord.
For example:
The two pharses are then pasted together to form one compound phrase:
Another similar example:
The two pharses are then pasted together to form one compound phrase:
The article goes on to give some more musical examples of using this
technique to weave through changes. Highly recommended reading.